Andrew Moses

Firmament, 2022, neural audio synthesis, transducers, contact microphones, cordage, paint on acrylic.

In Firmament, each of four real-time audio neural networks is trained on a distinct dataset of recordings of para-scientific experiments, either funded or ostensibly perpetrated by clandestine State agencies, in using sound to interface with an Other. The networks reconstruct each other in live feedback.

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Andrew Moses, Discarded Organ