Teresa Piecuch
Miejsca do miejsca, 2022, 3D resin prints, maple plywood, acrylic coating, steel wires, steel mending plates, aluminum ferrules, LED light, sound.
In a gaze through time, Piecuch interfaces memory with machine-learning and spectral analysis in order to visually and sonically reconstruct a transient, origin- route in her past. Miejsca do miejsca (lit., “places to place”) draws on Piecuch’s childhood-to-adolescent daily route around Piła, Poland, reconstructing buildings from biased and limited machine learning algorithms trained on her comparably incidental memory. A sound component renders ambient recordings of city construction reproducible through spectral mapping onto the piano, then played by Piecuch.